When I turn the gain on the ART all the way to minimum it’s not too loud, but then the overall sound quality is weak.
OK. I think it’s fine. You can boost the volume after recording with the Amplify effect.
Audacity pre-scans your file and Amplify will default to whatever gain is needed for 0dB maximized peaks. The default gain also (indirectly) tells you what the current peak is. i.e. If Amplify defaults to +6dB, your current peak is -6dB.
If Amplify defaults to 0dB (no gain change) after recording (before any processing) the file is probably clipped since it’s unlikely that you hit exactly 0dB without “trying” to go over.
The exception would be a loud click or pop that happens to be the loudest thing on recording. It’s not a problem if the loud click clips, but if the loudest thing, the click will determine the default for the Amplify effect.
I want to have the turntable output as hot as I can w/o clipping (the red led coming on, on the ART).
That’s not necessary.* The important thing is that you NEVER clip! Nothing bad happens when you get near clipping and nothing bad happens if you are a few dB below clipping. I’d shoot for peaks between -3 and -6dB. And realistically, -9 to -12dB is probably OK. Pros record at 24-bits and with levels around -12 to -18dB (with high-quality equipment).
Digitized vinyl generally won’t be as “loud” as a modern digital recording. Most older records weren’t as dynamically compressed as modern [u]loudness war[/u] CDs and MP3s.
And, the vinyl production/playback process introduces some all-pass filtering that results in phase shifts. It’s complicated, but a digitized vinyl copy will not be as loud as the “original” digital copy, even though they both are normalized for 0dB peaks.
One thing that is strange is: I monitor the output of the turntable from the headphone jack on the ART, so that is BEFORE the signal reaches the computer. Once the ART is connected to the computer, if I unplug the usb cable, I lose sound in the headphones. Yet, if I don’t connect, then I always have audio from the ART.
I assume you have an ART USB Phono Plus? Are you powering it from USB or from an external power supply?
There’s also a switch to monitor the preamp, the computer, or both.
\
- If you’re old like me and you remember analog tape, the goal was to record hot to overcome tape noise. With digital there’s no tape noise. There is quantization noise, but at 16-bits it’s about 40dB below where the tape noise would be, way below the vinyl surface noise (and preamp hum/hiss) and inaudible under any “normal” circumstances.
Also tape doesn’t hard-clip like an analog-to-digital converter, so it was common to allow the levels to go “into the red” occasionally.