The audiobook mastering suite is a collection of tools that work well together. You need to use them all, in order, and don’t add any in the middle.

Can you get the peak light on the Pyle to come on, even when shouting? Never blow into a microphone, but any voice volume you can make is OK. If you can’t ever get there, then there may be something broken.
There’s a trick for getting more zot from a microphone. Don’t put it in front. Put it off to one side (B) and closer using oblique placement.

You may not need the pop filter if you do that.
Dynamic microphones can sound very pleasant and firm but tend to be a little on the low volume side. Even the super-duper Shure SM7b…

…is frequently sold with a sound booster called a Cloud Lifter.
Dynamic just means moving coil. Your voice moves a small coil of wire and that’s what makes the sound.
Condenser microphones are generally highly thought of, but they can have some problems of their own. They’re crisp and clear, but they can be too crisp and you have to run software called DeEssers to keep them from sounding harsh and gritty.
My vote is to see if we can get what you got running.
It is a really big deal to have a nice room. No bare wall echoes and no noise. If you’re recording in a kitchen or bathroom, almost all microphones are going to sound terrible.
When you get far enough in, record and post a sound test.
Don’t process anything. Just record it, export the file, and post it.
https://www.kozco.com/tech/audacity/TestClip/Record_A_Clip.html
We can give you a lot of good comments if we can hear what you got.
Koz