The official reason is I lose the traffic noises. It’s too late to catch all the people coming home from work. The original object of the test is to contrast the tight, noise canceling headset with a “normal” broad, sloppy microphone. The unofficial reason is I’m spoiled rotten and refuse to do anything without blue sky sunshine and a temperature of 72F (22.2C).
Oh and which microphone SHOULD I be aiming for at a later point?
Given you get the environment sorted, there’s nothing wrong with the one you got.
Check how the closet works before you start writing checks to Amazon.
Koz
I finally had the time to do the voice test from my current room that you asked for.
Number 1 is the microphone on the stand that came with it, not quite the centre of the room but certainly outside and away from my box and with me just holding the pop filter.
Number 2 is back inside the box but in a slightly different position (higher and a bit closer) and without the music stand and tablet in front. I deduced that perhaps there was some splash back from the tablet. For now I have it atop the box though it is a little harder to read (obviously), even with my laser enhanced eyes. heh. If this makes the difference, though, I shall think of another solution to keep it away from the microphone until everything moves into the closet.
My immediate preference is outside the box. The voice is more open and natural and much of the boom goes away. I would have zero trouble listing to a story in that voice. That’s how I remember my borrowed Snowball used to sound. Now if you can figure out how to get rid of the background fan noise, you got it licked.
Put a well-ventilated box around the computer.
The boom is coming from the incomplete sound absorbing character of your box. Whatever you did still sounds like talking in a box. It’s only partially effective.
The input gain is still very low.
I think the distance is still so far that the mic catches all reflections unproportionally high in comparison to the direct sound.
Has the snow ball a built in highpass filter that can be turned on?
I like the “idea” of the box, but I don’t think that the current box design is helping you. There is definitely more boominess in the recording inside the box.
What is the box made of?
Professional “portable booths” are often made with an “open” construction so as to NOT create a resonant chamber.
As far as I know there is no software associated with the Snowball, tis just plug n’ play except for the three directional switches.
The box is one of those rigid, lidded plastic containers which I filled out with mattress topping.
I did up the input to 6 from 5 and I’m definitely closer in that second test and the microphone is further out of the box. It still didn’t sound good, though?
I’m trying to push up the schedule of the move into the closet (don’t say it ) but I’m not sure how soon that will be.
The fan you heard was because the Snowball was much closer to the (very quiet) laptop.
Right, who is coming over to help me move furniture? Koz?
Oh and check out the new logo and header page for my business page.
The goal is not to put little pieces of paper tape with marking pen on the knobs like a friend of mine used to do. It’s to do whatever is necessary to make the red Audacity recording meters flash well and make blue waves the right size.
Yours will not be as well behaved as this, but this is a perfect live recording. The red meters jump up between -6 to -10. If the meters are not large enough to see clearly, you can make them larger by clicking on the right-hand edge and pulling sideways. Highly recommended. Yes, you do have to watch them while you’re recording.
After you record something at the right level, the blue waves will peak around 50% or so (that’s the equivalent of -6dB on the flashing meters.)
If you record too low, then the normally low background noise in the system will start to compete with your voice (ffffffffffff). If you record too loud, the digital system will “run out of numbers” to assign to your voice and the sound will become crunchy, evil and distorted — usually permanently.