OK, so that’s the second complaint about bare-wall, polished wooden floor Room Boom. Look at the numbers along the bottom of his animation. They “haystack” right around 200.
This is a graphic capture of the equalization correction I applied earlier when I noticed this problem.
Note the bottom of the dip is 200.
It will be super beneficial if you can get rid of that tonal boost during the recording.
Do you have enough room to create a Kitchen Table Studio?
That won’t be perfect, but it will go a long way to keeping your walls, ceiling and floor out of the show.
Do you have a car? One of the people in the shop used to arrive in the morning with terrific short voice sound tracks and clips. I know his house has two dogs, three kids, and a nearby highway. I asked him how he did it. He said, “My Toyota.”
Given the low traffic in the evening, I was able to record a workable sound track in my messy, peaked-roof garage.
There are ways out of this. I want to avoid this correction because most production mastering is going to apply it twice, and that’s not good.
Koz