budget (usb) mic for classical guitar recording needed
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kozikowski
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Re: budget (usb) mic for classical guitar recording needed
Oh, yes. Before we leave this completely. Can you post that picture of proper microphone placement?
Koz
Koz
Re: budget (usb) mic for classical guitar recording needed
yes, here they are:kozikowski wrote:Oh, yes. Before we leave this completely. Can you post that picture of proper microphone placement?
Koz





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Re: budget (usb) mic for classical guitar recording needed
It's pretty impressive that you are getting such low noise from what is still a relatively "budget" pre-amp - that's quite a distance between the mic and the guitar, but it shows very well how it is able to pick up the whole of the guitar sound and some room ambiance.
I presume that you still using it on the cardioid setting? If so, it may be worth trying it on omni as that will allow you to pick up the same amount of room ambiance at a much closer distance to the guitar. Also, the "proximity" effect should be much less on "omni".
(Proximity effect: the tendency of microphones to accentuate the bass frequencies when used close to a sound source. )
I presume that you still using it on the cardioid setting? If so, it may be worth trying it on omni as that will allow you to pick up the same amount of room ambiance at a much closer distance to the guitar. Also, the "proximity" effect should be much less on "omni".
(Proximity effect: the tendency of microphones to accentuate the bass frequencies when used close to a sound source. )
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kozikowski
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Re: budget (usb) mic for classical guitar recording needed
Excellent. Yes, that's what I want to do with the hallway here at work. And if you move the mic too much either direction along the instrument, it starts sounding wimpy or boomy?
Koz
Koz
Re: budget (usb) mic for classical guitar recording needed
Yes, still using cardioid. I tried omni once briefly but I didn't like much the sound from it, so I went back to cardioid. I think I didn't change the position of the mic though... so I shall try again in a closer position...stevethefiddle wrote:It's pretty impressive that you are getting such low noise from what is still a relatively "budget" pre-amp - that's quite a distance between the mic and the guitar, but it shows very well how it is able to pick up the whole of the guitar sound and some room ambiance.
I presume that you still using it on the cardioid setting? If so, it may be worth trying it on omni as that will allow you to pick up the same amount of room ambiance at a much closer distance to the guitar. Also, the "proximity" effect should be much less on "omni".
(Proximity effect: the tendency of microphones to accentuate the bass frequencies when used close to a sound source. )
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Re: budget (usb) mic for classical guitar recording needed
And at the top of the stairsbgravato wrote:I think I didn't change the position of the mic though... so I shall try again in a closer position...
Have you thought about putting a safety strap round the mic/mic stand - perhaps it's the photographs, but it looks pretty close to the edge
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Re: budget (usb) mic for classical guitar recording needed
I didn't try to move it along, but occasionally I unconsciously move/rotate myself and slightly change my position while playing and I noticed that probably due to that at some parts of my recordings the sound became a bit more boomy, probably when I moved the guitar hole closer to the mic...kozikowski wrote:Excellent. Yes, that's what I want to do with the hallway here at work. And if you move the mic too much either direction along the instrument, it starts sounding wimpy or boomy?
Koz
You also probably noticed that I don't put the mic in a vertical position... I do that for two reasons:
1) when I'm playing the guitar is usually not in a vertical position either... so I tried to place the mic more or less parallel to the guitar
2) when the mic is facing slightly down like in the pics it seems to capture a better ambience sound than when I positioned it vertically
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Re: budget (usb) mic for classical guitar recording needed
It's the photographsstevethefiddle wrote:Have you thought about putting a safety strap round the mic/mic stand - perhaps it's the photographs, but it looks pretty close to the edge
Here's a pic taken from behind where I sit:

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Re: budget (usb) mic for classical guitar recording needed
Phew, I can rest easy nowbgravato wrote:Here's a pic taken from behind where I sit:
(one of my duties at work is "Health and Safety", but I'll avoid commenting on the lead trailing across the top of the stairs... oops, too late
That's the "classic" way to do it. Bit by bit you're confirming, from experiment and experience, that the text books are right.bgravato wrote:when I'm playing the guitar is usually not in a vertical position either... so I tried to place the mic more or less parallel to the guitar
You may find that you still prefer the cardioid setting, but with the experience and refinements that you now have available I think it would be worth trying.bgravato wrote:I tried omni once briefly but I didn't like much the sound from it, so I went back to cardioid. I think I didn't change the position of the mic though... so I shall try again in a closer position...
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Re: budget (usb) mic for classical guitar recording needed
I've just tried to record some samples in the omni setting. It sounds more "distant" like if the mic was standing much further away from the guitar... Placing the mic closer to the guitar of course reduces this effect, but then it starts to sound a bit more boomy...
I've also been playing around with opening/closing the doors in the stairway hall to change the echo/reverb effect. With all doors closed it's interesting to listen while I play but then on the recording it's just too much reverb, specially in the omni setting... but that's what I was expecting...
(hopefully in a not so distant future I will get all variables settled and start doing some more serious recording
I've also been playing around with opening/closing the doors in the stairway hall to change the echo/reverb effect. With all doors closed it's interesting to listen while I play but then on the recording it's just too much reverb, specially in the omni setting... but that's what I was expecting...
(hopefully in a not so distant future I will get all variables settled and start doing some more serious recording
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