Why are you ducking?
Part of that discussion was the idea that the "defects" should not be removed. They're part of the natural voice and many people speak like that. Further, anything you do to the presentation has to be done
every time. Post production editing as a fuzzy rule takes longer than the actual show — sometimes may times longer — and adding production tools and processes that may or may not be valuable is not welcome.
This won't hit you until weeks into your career when your fame and fortune pile up, but your time allotted doesn't.
Any problems or complaints of sound quality means you have to go back and revisit the whole show and make sure everything is as you intended. How many times can you stand to sit through an hour show to make sure your mouth clicks and pops didn't have a bad reaction with the noise removal process?
"I got a call from HarperCollins. They want you for the voice of Charlie the Cat. They reserved time at Paramount Studios on Melrose in Looping Studio 7 (the one by the Commissary — try their French Dip). That's not a problem, is it?"
Koz