Re: Understanding Waveform and Loudness
Posted: Mon Nov 23, 2020 10:53 pm
I think we're in different time zones.That is all good to know, but can someone please answer my questions in my last post at: Mon Nov 23, 2020 12:53 pm
For questions, answers and opinions
https://forum.audacityteam.org/
I think we're in different time zones.That is all good to know, but can someone please answer my questions in my last post at: Mon Nov 23, 2020 12:53 pm
It's very frustrating not being able to refer to a Post # like on nearly every other bulletin board.InternetStream wrote: ↑Mon Nov 23, 2020 5:53 pmHey, I recorded that sample 10 years ago and was still new to the concept of "clipping".kozikowski wrote: ↑Mon Nov 23, 2020 5:20 pmThat's because it is distorted. The track has peak clipping or limiting. See at 19.7 seconds, all the wave tips are exactly the same height?this one sounds a bit distorted
My point is that why is the wave form so much higher in the "Off the Record" sample (i.e. 85%) compared to the sample I recorded last (i.e. 25%) and yet the seem to have the same "loudness" when I listen to them with my headphones?
To further prove this point, here are 4 screenshots showing the sample I recorded last night...
1st screenshot shows the original wave form
2nd screenshot is me choosing "Amplify"
3rd screenshot is me listening to it after it is amped up - notice the yellow and red
4th screenshot is me listening to it after it is amped up - with another screenshot showing it going red
Questions:
1.) Why is the waveform at 25% yet the "loudness" at volume = 50% is a tad loud? (Anything I recorded on my old MBP at 25% waveform would be very hard to hear...)
2.) If I used Amplify, be default it should NOT clip, so whyis the amped version going into orange and red?
3.) Why is the amped up version so incredibly loud when I listen to it? (I had to adjust my volume to 25% so it is pleasant to listen to.)
No, but each post has a Unique Identifier.not being able to refer to a Post #
Okay.
Okay.kozikowski wrote: ↑Tue Nov 24, 2020 12:18 amNo, but each post has a Unique Identifier.not being able to refer to a Post #
See that document icon just to the left of 'by DVDdoug'?
Copy/Paste that into a message.
I always seem to get these "I've never seen that before..." scenarios?!kozikowski wrote: ↑Tue Nov 24, 2020 12:18 amI don't know why your system is doing that. I expect the behavior of the sound meter, timeline waveforms, and perceived loudness to be the same across ages, versions, and machines.
rMBP2 has macOS Sierra and Loopback 2 and Audacity 2.2.2. I also use Zoiper for my phone/VoIP but that shouldn't mess with the system sound.kozikowski wrote: ↑Tue Nov 24, 2020 12:18 amWhenever I encounter oddities like this, I start looking further afield. Do you use Skype, Zoom, or other chat or conferencing programs? They can leave sound processing behind.
Well, I have owned two Retina MBPs for like 4 years now and *never* got the audio working properly, so I did all of my Internet radio show listening on my 11 year old MBP until recently when it has gotten so old I cannot update anything and so I am now having WiFi issues and website issues which is why I desparately need to get all of this figured out!!kozikowski wrote: ↑Tue Nov 24, 2020 12:18 amThere may be a machine difference. My big 15" Macbook Pro's built-in sound is pretty awful compared to my tiny, delicate 13" Air. The MBPs use little speakers behind the left and right grills. The Air uses beefy compression drivers behind the keyboard. I suspect this is an offshoot of cellphone technology. Night and Day. No trouble enjoying a movie on the Air with good sound.
Interesting.kozikowski wrote: ↑Tue Nov 24, 2020 12:18 amIf I shifted one sound file between the Air and one of the MBPs, there would be a significant sound and volume difference.
It would be good to know why things have changed.kozikowski wrote: ↑Tue Nov 24, 2020 12:18 amI can't account for the waveforms and sound meter apparently not matching. We can wait for a senior forum elf.
Maybe, but there's a difference. You don't seem to be trying to do anything weird. You're just doing regular production tasks. The fun posts are from people who start out, "I run my MacBook Pro underwater and the last time it crashed, Audacity didn't recover the show."I always seem to get these "I've never seen that before..." scenarios?!
Try looking at the pale blue region inside the waveform. That's the "RMS level" and it is a better guide to loudness than the peak level.InternetStream wrote: ↑Tue Nov 24, 2020 12:42 amit just throws me off since my eyes and brain associate certain amplitude blue wave forms with certain levels of loudness and more so certain editing that needs to be applied.
So where, ideally, do you want the pale blue (RMS) wave forms to be at when you record? And where should they be on a produced piece?steve wrote: ↑Tue Nov 24, 2020 8:52 amTry looking at the pale blue region inside the waveform. That's the "RMS level" and it is a better guide to loudness than the peak level.InternetStream wrote: ↑Tue Nov 24, 2020 12:42 amit just throws me off since my eyes and brain associate certain amplitude blue wave forms with certain levels of loudness and more so certain editing that needs to be applied.
https://manual.audacityteam.org/man/aud ... tml#colors
It's "normal" for things to record at 25% yet when played sound normal when the volume = 5?
So help me unpossess it?!
That is to be expected...kozikowski wrote: ↑Wed Nov 25, 2020 12:55 amrMBP2 is also recording from something magic. The information band claims you're recording three sound channels, not stereo (2) and you're recording from whatever "AudacityHub is."
But Rogue Amoeba has made it possible with Soundflower - and now Loopback - since like 2010...kozikowski wrote: ↑Wed Nov 25, 2020 12:55 amRecording "fold back" (internet) sound is not natural for Macs.
I'm no sound engineer, but I switched to Macs in 2008 and have been recroding Internet radio shows every weekend since then and I have had no issues recording .mp3's that sound comparable to what I hear on the Internet - which of course isn't necessarily "CD quality" or "analog quality", but still good enough to enjoy.kozikowski wrote: ↑Wed Nov 25, 2020 12:55 amIt's easy to get multiple pathways, feedback, and distortion.
It is easy using virtual devices in Loopback.kozikowski wrote: ↑Wed Nov 25, 2020 12:55 amWe also note that recording phone calls is difficult or impossible for most people, which is why it got my attention when you said you could do it.
What do you mean by that?kozikowski wrote: ↑Wed Nov 25, 2020 12:55 amI still think you're a Celebrity Unicorn, but now for different reasons.
We used Skype on WIndows 7/8 at work before I lost my job back in February, and I spent all day on Skype calls with people across the U.S., and it always sounded like we were sitting next to each other.kozikowski wrote: ↑Wed Nov 25, 2020 12:55 amI think you found a subset of machines and conditions that can do your jobs and you may never find the sames ones again. This pops up occasionally on the forum. There is a podcaster who regularly turns out a Skype conference show between him and his brother across the country with perfect stability and voice quality. Nobody else can do that—even with the same settings and software. He's looking at us all like we're nuts.
Sorry, I'm not getting what you're calling me...