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Tinny sound on ripped LPs - First project

Posted: Sat Oct 20, 2012 10:31 pm
by Budward
Hello all,

I'm brand new to Audacity and the forum - thanks for your tolerance of any rookie mistakes or forum gaffes.

I have 2.0.1 running on Win 7 Pro. I'm using an ART USB Phono Plus Project Series for phono preamp and A-to-D conversion from my turntable.

After playing making some test recordings, and following the LP tutorial pretty closely, I think I have the process roughly figured out.

The tracks will be played back through a stereo using an iPod - PC is only a laptop without external speakers or connection to the stereo. I have a Kensington iPod dock (gonna get a Pure i20 shortly), but it's 500 miles away at the moment. For the moment, I'm stuck with putting the songs on my iPod and using the front panel Aux-In jack on the stereo receiver here.

The newly recorded tracks are not very loud, but so is everything on the iPod. I'm not too worried about that, suspect it's just a slight gain mismatch between the Aux-in and the iPod headphone jack.

GETTING TO THE POINT - the real question is that the newly recorded tracks sound tinny - all treble, no bass. That's not the case with existing MP3 or AAC tracks on the iPod that were either bought directly or ripped from CD. Am I getting wadded up in the RIAA equalization (perhaps not getting done in the preamp in the ART device)? Or could it be something else.

I did run the low-pass filter to clear any rumble, but it was set for a 20Hz rolloff. Seems like that shouldn't be the problem?

Re: Tinny sound on ripped LPs - First project

Posted: Sat Oct 20, 2012 11:04 pm
by kozikowski
Tinny and low volume is the exact description of music if you play a vinyl record "flat" without any RIAA compensation.

Bass notes will not fit in a vinyl groove, so they are reduced before pressing the disk. It's your job to put them back which is exactly what the Phono Preamp with RIAA does.

Koz

Re: Tinny sound on ripped LPs - First project

Posted: Mon Oct 22, 2012 12:34 pm
by waxcylinder
The ART USB Phono Plus Project has a button labelled INPUT with two settings PHONO and LINE

You need to have this set to PHONO for the signal to be passed through the RIAA Eq processing.

WC

Re: Tinny sound on ripped LPs - First project

Posted: Mon Oct 22, 2012 4:43 pm
by Shaky
Budward wrote: did run the low-pass filter to clear any rumble, but it was set for a 20Hz rolloff. Seems like that shouldn't be the problem?
Are you sure that's what you did?

Perhaps somewhat counter intuitively you need to run a **high-pass** filter to remove the low frequency rumble (the frequencies higher than the filter cut off pass through untouched).

Try a high pass with a cut off around 25hz; that should do the job.

Re: Tinny sound on ripped LPs - First project

Posted: Mon Oct 22, 2012 7:08 pm
by Budward
I said that wrong. Yes, it was a high-pass filter.

While this one song is indeed a little thinner than the LP itself, the important thing is that the recording on the LP is also very weak in the bass frequencies. After the original post, I recorded several songs from different albums. The other songs sound pretty good, for a first attempt.

Work travel intervenes at the moment, but next week I'm going to do some comparisons using an LP with which I am VERY familiar.
1-LP itself
2-MP3 192 ripped from commercially released CD of the same album as the LP
3-MP3 320 recorded from the LP and exported with Audacity
4-ALAC recorded from the LP, exported to WAV with Audacity, and converted to ALAC with dbPowerAmp
5-WAV recorded from the LP and exported with Audacity

I would also play the CD itself, but it's 500 miles from here at the moment.

Anyway, these five options should give me a pretty good reading on the question.

Re: Tinny sound on ripped LPs - First project

Posted: Tue Oct 23, 2012 9:39 am
by waxcylinder
When I started out on my LP transcriptions a while back I did some careful listening test as you describe (on good quality hif speakers and studio cans).

At the time I only had a 30 gig iPod so I settled on 192 as good compromise between audio quality and disk space occupancy.

I could clearly hear the degradation at 128, barely perceptible at 192 and not perceptible (to my now ageing ears) at 256.

Now that I have 1 160 gig iPod I use 256 (AAC now rather than MP3) - my son who is a purist insists on 320, but note that his iPod is well overfull :)

I still use 128 for spoken-word material which lives on my old 30 gig iPod.

I also retain my WAV files, partly for backup, but also against a future time when iPods ior similar extend to 1TB storage devices.

WC