kozikowski wrote: ↑Wed Jun 17, 2020 8:58 am
when I bought some new gear.
Whose name and model numbers are? This is a constant and historic problem with people doing wild, live recording.
It's generally not the digital file structure that causes problems. The
analog part of the system has very strict limits and that's what usually creates distortions. The noise volume is here and overload is here. It's a relatively narrow range and they're both fixed. Doesn't matter how many bits you divide it into or their configuration.
I do know of one system that could get around this. One of my favorite show producers claimed he had a new microphone system that made
two different recordings at the same time. All he had to do was get the recording volume roughly in the ballpark and the system would do the rest.
Is that what you have?
Koz
The equipment I am now using to record concerts is a Sound Devices MixPre 10ii.
I first started using it a few months ago (before coronavirus-- I have not made any recordings since then, as all concerts have been cancelled).
I need to clarify some confusion that I, alone, have caused...
I even confused myself, by forgetting which projects I was working on recently, and which were historical projects that I revisited to remix and master.
I have NOT had a problem with my most recent recording. That would be the one I created using my new Sound Devices recorder, which I love. It produces native 32-bit float audio, and I am quite happy with it. I think I did have one instance of orphan files, very early in the editing process, and it was trivial to begin again and re-import the original data files.
The problem I am currently describing, that lead me to make my initial post, comes from a project that is over a year old, but that I am currently reworking. I had recorded it on my older Tascam DR-680MKii recorder in 24-bit mode (this was before the new Sound Devices MixPre series ii existed). I have done many projects using that device and Audacity. On irregular occasions (I'd say maybe 5 - 10 times over the past few years), when I attempt to open a project that I saved the previous day (after doing work on the project), I get the orphan file message. Because I don't know how to identify the damage, and don't know how to listen to the orphan files, I cannot figure out how to do anything other than to start over. When I have substantial time invested, this is a major issue. But, I do not know what else I can do. Thanks to the earlier suggestion, I will now start saving additional copies using the lossless option.
[ASIDE: I would suggest that Audacity consider offering a configuration option that would save project data in two stages: When saving data, the old data would be retained as a "checkpoint", and not be overwritten until a new save completes without creating orphan files. Thus, the worst case for data loss would be loss of the current session only.]
Anyway, the problem I am encountering (occasionally and unpredictably encountering orphan files when trying to re-open a project) would appear to me not to be related to the 32-bit float data files created by my new Sound Devices MixPre. You are probably aware of the impeccable reputation and very wide use of Sound Devices gear in the world of professional cinema.
I am happy to provide additional information or clarification, if you, or anyone, desires.
Thank you.
DG
P.S. You mentioned the possibility of recording at two levels. I am familiar with this, but I do not use it.
P.P.S. My data files frequently exceed 1 GiB.