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thought voice vs spoken voice
Posted: Thu Aug 26, 2010 9:21 pm
by BearDrummer
The idea here is to have a second track, using obviously the same voice, but with some addition to it to make it distinguishable. Basically, I want a "voice of the character's thoughts" or "narrator's voice." I'm looking for an effect, possibly an echo/tinny/reverb or something that will still be understandable, yet distinguishable.
Quick response would be appreciated, as the first track is in the process of being recorded now...
Re: thought voice vs spoken voice
Posted: Thu Aug 26, 2010 11:55 pm
by Trebor
Re: thought voice vs spoken voice
Posted: Fri Aug 27, 2010 12:52 pm
by theseus75
You could also try a slight bass boost, since I believe we tend to think of "thought voice" as deeper.
Re: thought voice vs spoken voice
Posted: Sat Aug 28, 2010 5:04 am
by kozikowski
Anything different works. If you're recording this with actual microphones, get close for the thought voice. Establish any normal dialog and apply any change for the thought voice -- almost anything. Slight echo or reverb. Put bass in, take bass out. Just be consistent through the show.
There is a terrific history for this. Greek Chorus' come to mind. I've seen a sex change for the thought voice. I think that one was his mom's nagging in the back of his mind.
Koz
Re: thought voice vs spoken voice
Posted: Sat Aug 28, 2010 9:57 am
by waxcylinder
An age difference works well too - think of Kevin in the Wonder Years where the adult looks back on and comments on his childhood self - or Richard Dreyfus in Stand By Me.
WC