I used the "Calf reverb" (a LADSPA effect - I think it is currently only available for Linux, - the Calf effects are pretty nice and are in the Ubuntu repository).
I also tweaked the timing just a little in that tricky bit near the end.
That will make playing more enjoyable but will probably not have a huge effect on the recording as you are mic'ing quite close - I probably shouldn't say this, but this is where a mixer or multi-channel recorder and another pair of microphones comes in useful - you can then record the guitar close up as you are now to get the character and detail of the instrument, and a pair of mics further away to pick up the ambiance from the room. Whatever you do with one microphone it will always be a mono recording. Now before I get you into trouble for encouraging you into financial ruin, it is much less expensive to fake the ambiance, and so long as you keep the reverb subtle it should be pretty convincing - the really critical bit is the close up recording which is what you are doing now.bgravato wrote: I've found a nice spot in my appartment where I can get a similar large hall echo effect "naturally". I'll try to record something there whenever I get a chance.
Two top tips with reverb - 1) don't over-do it (it's very easy to over-do it). 2) If you need to clean up any noises from the raw recording, do that before applying reverb. 3) (OK, I know I said "2 tips") Apply the reverb to a duplicate copy of the track rather than the track itself - you can then mix the amount of close mic and ambiance while you listen by using the "Mixer Board" (in "View" menu).
That would be great - perhaps post it as a new topic and add a link to this one for anyone that wants to spend a couple of days reading the full story.bgravato wrote:Soon I'll update the first post in this thread with my findings, conclusions and advices to those who might come next... and save them some work