+1. And as I recall the last posts on -quality on this issue indicated that the diagonal (tilted square) tiling was preferred by everyone. There has also been some discussion of adding a dotted-line border to the selection, and ways of making the selection more visible in "loud" waveforms.stevethefiddle wrote:As a real world user, the tiles need to be diagonal so that the edge of the highlighted area can be clearly seen regardless of its exact position (assuming that tiled images are to be used)
I don't mind the "regular" shading in the "primary" selection. When selecting a region the sync-lock-selection tiling (when improved) will adequately indicate that the tracks are sync-locked. My concern is when the selection is just the cursor. In that case there is no indication in the sync-locked tracks that they will be acted on. It is easy, I agree, to miss the little clock icons in the track panels. IMO they should stand out. I know the devs are reluctant to use colour except when absolutely necessary. I would say this is one of those times. There is a reason mixing desks have LEDs to indicate important functions (such as solo, PFL) that can mess you up if you forget they are on.stevethefiddle wrote:I'd also like to see some indication that Sync-lock is enabled in the ordinary selection shading. When selecting a region the attention is on the region, not on the little clock symbols in the corner of the track info, or the state of the Sync-lock button. Perhaps a negative version of the tiles or something?
A very rough-and-tumble mock-up: -- Bill