Audacity Forum

*SCRATCH* is a special variable in that it survives from one run to the next. This is not a good example of how to use *SCRATCH* but I think it's quite a good example of how '*UNBOUND* works. Try running this code a few times: (print *scratch*) (if (not (boundp '*scratch*)) (setq *scratch* "*sc...

Not enough information.
What are you trying to record?
What equipment are you using?
How is it all connected together?
What settings are you currently using?

*unbound* is a system constant that is equivalent to "no value". Normally if you use LET, SETQ or SETF, you are binding a symbol (or field) to a value, but with (SETQ x '*UNBOUND*) you are doing the opposite - you are binding to "no value", or to put it another way you are "...

kozikowski wrote:If you do manage to resolve all that, you will be a hero to plucking tongue snappers everywhere.

I think that is what we're aiming for

By the way, that is not a criticism of the excellent work that you have done.

You can check which version you are actually running by looking in Audacity's Help menu > About Audacity,

By way of comparison, this is the "Repair" effect (before and after):

Neophron wrote:the volume is in the parts of recording different

Why is that?

kozikowski wrote:http://www.antiquealive.com/masters/Han ... _Fans.html

Not known for is sound quality.

You need a low pass filter to filter out the rustling.

Here's another one, but you need to ignore the sound of the clock:

Audacity doesn't natively use every possible hardware shortcut and speed pipe No, but Audacity does not deliberately export slowly either. One part of the system will be working flat out and the rest will be doing what is necessary. On a fast multi-processor machine it could be that one processor i...